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Many folks find the Distressor their go-to bass compressor. Trying to understand that better is likely the reason you clicked through to this article. If the compressor doesn't frequently dis-engage and return the audio to normal, your threshold is too low. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. I was very wrong. Slow attack times are great when compression needs to be polite, but dont be afraid to be rude when thats what will whip a mix into shape. "If the piano is being played softly, a slower . I think this versatility is a big part of what keeps it a ubiquitous tool, going on three decades now. Of course, you can certainly use the Manley Vari-Mu on single instruments as well, such as lead vocals, or subgroups, such as drums, guitars, or percussion. If youre looking to add a bit mojo or sheen to an uncompressed signal, then an optical compressor can give you all the butter and warmth that youre looking for. Slow attack times roughly 10 ms and higher are great when we want to preserve or accentuate transients or achieve an especially transparent result. My favorite ratios are 4:1 and 6:1 as they have a large knee, but over about 8dB of compression, starts to really grab and hold a vocal in place. I wish I could tell you that there is a single bulletproof setting for compressing a lead vocal, or a kick drum, or a bass synth. Parallel to that, of course, he was building up his gear design chops as part of a talented Eventide team that would go on to heavily influence audio, both in and out of the box (visit this article for an in-depth exploration of their journey during unique time period). Thats when he started honing in not just on what compressors did, but the different characteristics of various units. Moderation is not the right choice all the time be bold when it works, and use a gentler touch when you need to. Passing a signal through one compressor vs. another, even if youre applying the same amount of gain reduction, can give you a completely different sound. Theres that 30 ms attack setting again. Of course, punchy and transparent are not synonyms for good (though some people do seem to use punchy that way). Influenced by these Character Compressors now Classic Compressors that almost immediately improved the sound of his own recordings, Derr hit the workbench and designed his own. One of the famous FET compressors out there is arguably the Universal Audio 1176. With naturally soft knees, frequency-dependent attack times, and transparent characteristics, we highly recommend them for softer genres, including folk, jazz, and acoustic music. You can set the ratio via the front panel buttons, including 4:1, 8:1, 12:1, and 20:1. As with most FabFilter plugins, the C2 delivers an ultra-clean interface that shows you how the compression is working, and give you simple parameters that are even easy for beginners to navigate. PDF BACK TO TABLE OF CONTENTS DISTRESSOR - Empirical Labs Many digital compressors have sidechain options too, as well as Mix knobs that allow you to dial in just the right amount of parallel compression. I tend to use attack times in this range for buss compression and most (but definitely not all) drum compression. The release time tells the compressor when to let go after that signal drops back down below the threshold. # 1 iamk Registered User 5 years Distressors alternative Hey guys ! Regular Price: The lower values are slower, and higher values are faster on the 1176 analog feedback compressor. You can find a place for this thing pretty much anywhere. One of the most famous optical compressors around is the Teletronix LA-2A Level Amplifier, which pairs an amplifier with a compressor circuit. More importantly, different compressorswill also react differentlytothe signal they are receiving, providing faster or slower compression, more glue and more. I have never used the real thing, but this plugin definitely sounds more expensive than its price tag. Sidechain Compression Explained for Beginners & Key Settings, 3 Tips for Using a Sidechain Compressor to Add Punch & Clarity. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB. The screenshot here shows the compressor responding to successive kick drum hits, applying reduction and returning to its baseline between each strike: A short release time helps the gain reduction (in red) return to zero before the next hit. what uses are distressors best used for? - Gearspace.com When combined with its clear and bright sound, this compressor is no less than a masterpiece. When driven really heavily, they give you a lush, rich distortion, especially when you use the famous All Buttons In setting. The API 2500 is also great for entire mixes, especially if you use a soft knee. I always recommend setting the attack to 8 10, and using the 2:1 ratio as a starting point. While tracking, feed the drummer some compressed cymbals, and strongly encourage him not to smash them. Stereo Image Link Tips and Tricks - Empirical Labs The SSL G Bus is best used on the master bus, adding a few dB of gain reduction to give you some transparent glue. Distressors alternative - Gearspace.com Attack and release times are about how quickly the compressor interacts with the sound youre processing. Here are the best bus compressor plugins. The cool thing is, most developers have digital compressors that push the limits of what analog compressors are capable of. The Pulsar Mu plugin offers a great replica of that classic Manley warmth. They are also wonderful for using on an entire mix, as they can balance out the various pieces and glue them together. What are some good new market compressors, and do they match up to their vintage predecessors? But how many compressors are there that you would utilize for everything? If weight and sustain are what youre after, make like Vin Diesel and get fast and furious. With the Distressor all you get is a gentle change in timbre unless you really push Dist 3 to the limit, in which case things can turn a touch crunchy. My name is Evan, and I've been making music since around 3rd grade. The suggested attack on 10 will keep the transients and consonants of the voice. Here we show parallel compression for kick and snare drum, using the Empirical Labs Distressor compressor. It is important to note that the types of light sources found within optical compressors will vary, giving them different reaction times. Use the 1:1 ratio to gently warm up synths or strings without compression, while adding musical low-order harmonics. It doesnt have to take years to train your ears. Youve probably seen these analog compressors, whether in-person, in photos or in emulation, though you may not be sure about when to use them or what theyre best at. Again start with attack on 5 or higher while tracking, release at 4, or to taste. The simple reason for that is that there really haven't been many major developments in the world of compression for quite some time. VCA compressors are Voltage Controlled Amplifier compressors, which offer the most aggressive gain reduction around. Beyond that, digital compressors arent noisy like analog compressors, perfect for when you need a shiny, squeaky-clean compression tone that doesnt alter the characteristics of your raw signals. The real point is who cares if the end Painstaking, end-to-end circuit emulation of the iconic hardware designed by Dave Derr, exclusively for Universal Audio A fast attack (3) and higher ratio can skim those peaks off, and even the overall tone. Ratios from 2:1 to 6:1 work so effortlessly. This is generally around 100 pounds per square inch to 115 pounds per square inch. The unique thing about optical compressors is that theyre very slow compared to other types of analog compression. 3. Pressing the Ratio button steps through the available settings, each of which has its own status LED. I find myself reaching for it way more often than I ever thought I would. Its an easy first step that will make it much easier to get a result you like. If you're new to using compression, I'd suggest you think of attack times like this: 0-1 ms is fast. #1 What kind of studio compressors are the best to use on guitar amps (optical, FET, etc.)? This tutorial demonstrates how I use this iconic piece of studio gear to get the best sound out of a vocal recording. Youll find plenty of controls on the API 2500, which can make it a bit overwhelming for beginners. At the other extreme, the Nuke limiter setting is famous for adding explosive excitement to room mics, or energizing a entiremix. FabFilterr is slowly becoming the gold standard for digital plugins and we cant think of another digital compressor that lives up to this one. One thing to note about FET compressors is that they operate within the constant-current portion of their output characteristic. This results in a fine generalpurpose 'vanilla' setting that makes a good starting point for further adjustment. The Distressor lets you add 2nd or 3rd order harmonic distortion to the signal, emulating tape saturation and the classic tube compressor sound of the 1960s and '70s. You must have JavaScript enabled in your browser to utilize the functionality of this website. This is such a strange source if not played and recorded properly. As always, your judgment is what matters most. Optical compressors are especially great in conjunction with FET compressors, as they can even out the aggression that they impart. Digital compressors are great because they offer unlimited headroom and, unlike analog compressors, dont have a ton of noise built-in. Instruments, voices, and room mics suddenly started to sound professional and seemed to just fit into mixes in a way I heard on my favorite records. How to Use Mid-Side Compression for Amazing Recordings! The FabFilter Pro-C 2 has one of my favorite gain reduction meters of any compressor I use. The four large white knobs gleam at you as you enter the control room, announcing that this is not going to be your ordinary dynamics processing session. Ready for fresh directions on the Distressor? They can be used on just about any type of instrument as well, making them surprisingly versatile. Let me state the obvious: too much badly dialed compression has probably ruined more mixes than any other cause. Digital control circuitry is used to manage the switching, and a gold capacitor can keep the onboard memory going for up to a month to store your lastused switch settings. High Pass filter unwanted low frequency pumping and breathing perfect for drum bus processing. They didnt just compress or limit. PATHETIC IF YOU ASK ME. I just need to focus on improving what I could control - my songwriting and my production skills. We highly recommend using VCA compressors for drum bus compression or master bus compression. Waves offers a great emulation of this classic compressor at an affordable price. Moderate attack times basically single digit ms values are great when you need dynamic control and dont want to obliterate transients completely. In this video, learn how the EL8 Distressor compressor can transform your mixes into something truly special. We take your privacy seriously. The reason for including a 1:1 setting is so that you can still use the distortion facilities when you don't need compression. Unfortunately,it's only available to those that own a UAD audio interface. I typically rely on a few guides to help me know when Ive hit the sweet spot: Ive recommended using a chart like the one below to determine compressor release times (as well as delay and reverb times) in my videos: The idea here is pretty simple: you can use musically derived values to achieve a more musical result.

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